Thursday 5 April 2018

Review: The Masters of Sitcom: From Hancock to Steptoe

The Masters of Sitcom: From Hancock to Steptoe The Masters of Sitcom: From Hancock to Steptoe by Christopher Stevens
My rating: 4 of 5 stars

The author argues that Galton and Simpson were not just “Masters of Sitcom” but that they invented (or at least re-invented) sitcom. When they first started writing, British comedy required a straight man to provide a set-up and a funny man to deliver the punchline. Galton and Simpson, along with Hancock, set out to change that.

In Hancock’s Half Hour, though, there would be no joke-telling, punchlines or music-hall patter. The writers were intent on getting rid of catchphrases, songs, running gags, musical interludes and sketches. This was a type of comedy as radical as the realist theatre that would sweep the English stage in the late fifties: natural, honest and unflinching.


As they did so, the author argues they changed the face of comedy and traces a direct line from Steptoe And Son to The Royale Family. Whether you buy into that thesis or not (and I'm inclined to give some of the credit to people like Spike Milligan and Eric Sykes) the real strength of this book is in the quotes from Galton and Simpson scripts. More than half the book is straight Galton and Simpson and that alone makes it worth a four star review.

I liked the insights given into their writing process. For example, on what is probably Hancock’s most famous line:

“A pint... that’s very nearly an armful!” It started off as, “A pint... that’s an armful!” and then one of us said, “Nearly an armful,” and the other one said, “Very nearly an armful.” It’s funnier, because it’s more precise.


It is imprecisely precise… and that’s why it’s funny. What’s missing though is much of an insight into the relationship with their actors… for example, with Hancock. Clearly a man with mental health issues and yet rather than help him, they seemed to pick at the wound. Given his insecurities, it seems a bit of an omission to reproduce the following without comment:

HANCOCK: I’ve been living a lie. (Dramatic) Geraldine, I have never said a funny thing in my life.
GERALDINE: When do we get to the lie?
TONY: All those funny things you hear me say aren’t me at all. I employ a ventriloquist. He stands off stage thinking up funny jokes while I stand here opening me mouth. (Emotional) Yes, Hancock the funny man is nothing but a great big dummy.
GERALDINE: When do we get to the lie?


Hmm! Insensitive? Ignorant? Evil? I can’t help but feel it was just plain nasty yet the author offers no comment.

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